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‘You see, Moonie, I did a terrible thing for which I had to leave Bombay. I don’t want to burden you, in this letter, with the details of my deed—or my life. It’s a long story and I’m not a man of words.’
It is 2009, more than a decade after Maya read this intriguing letter addressed to her. The awkward, adopted child of an odd Bengali couple, she’s now a 34-year-old journalist in an existential mess that she alleviates by smoking pot and going on long walks with her latest boyfriend. But in order to find the meaning she craves, Maya must confront her past, and open a box of objects she inherited. When she finally does, she’s led on a startling, sparkling journey of discovery.
At the centre of this journey is Burjor Elavia, a ‘fifty-fifty’, an ‘Adhkachru’—the illegitimate child of a Parsi man and a tribal woman—born in a nondescript village in Gujarat. In 1952, not yet eighteen, he made his way to Bombay, where he lived a colourful life—promiscuous, reckless, involved in a string of shady businesses, but also compassionate and a charmer. His greatest achievement was an audacious venture for fifty-fifty Parsis like himself, many of them strugglers, some of them on the make and all of them eccentric. In their tangled, mixed-up, funny life stories, Maya tries to find her beginnings’ and maybe her future.
Set in the teeming, varied universe that is Bombay, Half-Blood is an entertaining, full-blooded novel about dysfunctional families, plucky survivors, chancers, mavericks and good-hearted rogues. A celebration of vitality, impurity and other true virtues of life, it is a marvellous debut.